THE PRIMADONNA PRIZE, REBOOTED

 In its first iteration, the Primadonna Prize produced five brilliant winners over as many years, with Elissa Soave, now a three-time novelist, the first, and Natalie Gregory the most recent. Other authors to secure publishing deals via Primadonna include Louise Mumford, Anita Lehmann and Jenny Knight. Many aspiring writers and festivalgoers found support, encouragement, contacts and community via Primadonna – and also joy. Joy is the theme of the new Primadonna Prize, reopening for submissions soon. 

Future winners of the prize will be offered the chance to have their novel published by the brand new imprint, Primadonna Publishing, launched in collaboration with award-winning indie publisher Renard Press.  

The aim of the prize remains unchanged: to find and foster new writing talent. The traditional route for a first-time author to getting published is tricky and uneven. It is hard to create the conditions to write, especially if you’re working long hours and/or caring or dealing with your own health issues. Even if you’ve produced a whole manuscript, it can be tough to persuade agents and publishers to take an interest, particularly if you have no pre-existing contacts in publishing and/or come from a background or experience unfamiliar to the people you approach. The Primadonna Prize is free to enter, requires only 500 words for the first round and will be judged without penalties for spelling or grammatical mistakes. To find out more, click here: primadonnapublishing.com 

For more about Renard Press, click here: renardpress.com

MEET OUR PREVIOUS WINNERS

We set up the Primadonna Prize because we wanted to open up access to the publishing industry.

We wanted more people to be able to tell their stories. And we wanted everyone to feel welcome to participate. 

None of these people had ever been published before. 

These are the kind of small scale but life-changing impacts that Primadonna is all about. We know it changes lives.

ELISSA SOAVE

HONORIA BEIRNE

GAYATHIRI KAMALAKANTHAN

JO MOREY

NATALIE GREGORY


Came as a festival-goer, left with a book deal!

Louise Mumford

Louise was born in South Wales where she still lives today. In the summer of 2019 Louise experienced a once-in-a-lifetime moment: she was discovered as a new writer by her publisher at the Primadonna Festival. Louise’s debut novel Sleepless was published in December 2020 by HQ HarperCollins. A UK Amazon Kindle Top 50 bestseller, it was the Asda Karin Slaughter Killer Read for July 2021. Her second thriller, The Safe House, was published in May 2022 and her latest novel, The Festival, is published in August 2024.

Jenny Knight

Jenny was born and bred in Suffolk, the daughter of a farm labourer, and went to middle and high school in Stowmarket. After moving around for a few years, she returned to East Anglia and currently lives on the Norfolk/Suffolk border. A prize-winning writer of short story and memoir, she was selected for Kit de Waal’s Common People – An Anthology of Working-Class Writers in 2019. That year, Jenny came to the first Primadonna Festival to talk on a panel about Common People and has been every year since - it’s here she first heard about Akan Books, then HQ CiL, a new imprint of HarperCollins, platformed at Primadonna and headed up by June Sarpong, which aims to remove barriers and create space for stories and voices that have been overlooked. She then submitted her debut novel and was delighted to be chosen as one of their inaugural authors – Wild Moon Rising is out with Akan Books in June 2025.

Anita Lehmann

Anita won the inaugural Make Sioned Laugh competition at Primadonna 2019, performing in front of (then) Radio 4 commissioner for comedy Sioned Wiliam. She is a prize winning children’s author and also writes for adults under the pseudonym Walburga Appleseed, publishing The Princess and the Prick in October 2020 with a new book coming out in autumn 2024.

"Primadonna was the best experience I've had of appearing at a literary festival. The organisation was brilliant: writers were made to feel extremely welcome, practicalities were taken care of, and there were great opportunities for writers and agents to meet, network and build communities. The audience and line-up of performers was more diverse than at any other festival I've attended. I also really appreciated the support for promoting and selling books"

Naomi, platformed artist